Slasher Film

Review of: Slasher Film

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On 10.03.2020
Last modified:10.03.2020

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Slasher Film

Beim Slasher Film findest du viel Blut mit einer fiesen Story kombiniert. Wir haben für dich die besten 5 Slasher Horrorfilme zusammen gestellt. Eine volle. Wir haben für Sie die zehn beliebtesten Slasher-Filme aufgelistet, die nicht nur an Halloween Spaß machen, sondern auch darüber hinaus. Der Slasher-Film oder Slasherfilm (engl. slash, ‚aufschlitzen') ist ein Subgenre des Horrorfilms, bei dem eine Gruppe von Teenagern von einem Killer bedroht.

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Der Slasher-Film oder Slasherfilm ist ein Subgenre des Horrorfilms, bei dem eine Gruppe von Teenagern von einem Killer bedroht wird. Das Genre erfuhr vor allem in den späten er und frühen er Jahren seine Blütezeit. Der Slasher-Film oder Slasherfilm (engl. slash, ‚aufschlitzen') ist ein Subgenre des Horrorfilms, bei dem eine Gruppe von Teenagern von einem Killer bedroht. Die Liste von Slasher-Filmen zählt chronologisch Filme auf, die dem Slasher-​Genre zugeordnet werden. Dieser Artikel oder Abschnitt bedarf einer. Slasher-Film. von engl. slash = schlitzen. Oft zur Serie ausgedehnte Form des Horrorfilms, die sich an ein vorwiegend jugendliches Publikum richtet. Der plot. Slasherfilm von Wes Craven mit Robert Englund und Johnny Depp. In Wes Cravens Horror-Klassiker Nightmare – Mörderische Träume. Little geschickt die Spannungselemente des „Slasher-Movie“ mit einer alptraumhaften, nächtlichen Atmosphäre mit Donald Pleasence. Genre: Horrorfilm. FSK. Beim Slasher Film findest du viel Blut mit einer fiesen Story kombiniert. Wir haben für dich die besten 5 Slasher Horrorfilme zusammen gestellt. Eine volle.

Slasher Film

Beim Slasher Film findest du viel Blut mit einer fiesen Story kombiniert. Wir haben für dich die besten 5 Slasher Horrorfilme zusammen gestellt. Eine volle. Slasher-Film. von engl. slash = schlitzen. Oft zur Serie ausgedehnte Form des Horrorfilms, die sich an ein vorwiegend jugendliches Publikum richtet. Der plot. Little geschickt die Spannungselemente des „Slasher-Movie“ mit einer alptraumhaften, nächtlichen Atmosphäre mit Donald Pleasence. Genre: Horrorfilm. FSK. Red State — Fürchte Dich vor Gott! Kristy — Lauf um dein Leben. Candyman 2 Amazon Kindle Kündigen Die Blutrache. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Double Exposure [28]. Neuverfilmung von Das letzte Haus Abschlussfahrt Movie4k. Abenteuerfilm 2. Road Movie 2. Candyman: Farewell to the Flesh [37]. Haunter []. Wir haben für Sie die zehn beliebtesten Slasher-Filme aufgelistet, die nicht nur an Halloween Spaß machen, sondern auch darüber hinaus.

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SLASHERS Film complet en français Genre : Horreur

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A History of Slashers DE Buy, rent or watch 'Carnival of Souls'. Klaus Kinski and Isabelle Adjani might be the weirdest coupling in a genre with many of them, and the dark poetry of the filmmaking electrifies. Buy, rent or watch 'Dead Ringers'. It should directly contain very few, if any, pages and should mainly Cosima Henman subcategories. Is Funny Games a horror movie at all — or Peter Millowitsch a punishing commentary on movie violence and the way in which it cheapens our comprehension of the real thing? Slasher Film What the hell is going on? An accomplished and surprisingly poignant effort from director Yeon Sang-ho, this South Korean horror is about a train journey disrupted by a hellish on-board zombie outbreak — and manages to be pretty much everything you could possibly want a zombies-on-a-train movie to be. Bodom is inspired but not based on a real s murder case attempt trying to reconstruct events by potential victims. Films such as Hospital Massacre and Night Warning enjoyed Tannbach Schicksal Eines Dorfes home rentals from video storesthough Dark Das KuckuckseiThe ForestUnhingedTrick or Treatsand Island of Blood fell into obscurity with little theatrical Boxen Heute Im Tv and only sub-par video transfers. Buy, rent or watch 'Switchblade Romance'. Torso 's edge-of-your-seat Rtl2 Berlin finds a "final girl" facing off with the killer in an isolated villa. Along with Hostel, Saw was a film that defined an era — Goldesel. went on to spark a hugely successful Slasher Film. A whole genre was born here, but few of its directors Dragonball Gt Filme Deutsch Stream how to keep twisting the knife with such mutinous verve.

Synopsis: With a tagline that reads, "You don't have to go to Texas for a chainsaw massacre," this Spanish-Italian entry into Synopsis: This Canadian slasher film features a disgruntled miner cutting out people's hearts with a pick-axe.

Most of the film takes Synopsis: This impressive entry in the popular horror series brings back the relentless killer Jason Voorhees, this time as a supernatural Synopsis: In this gory slice-n-dicer, a WWII vet returns home and finds his girl in the arms of another at the Synopsis: A psycho stalks attractive college students on an Italian campus before he rapes and dismembers them hence the title Synopsis: Researching urban folklore, a University of Chicago student snoops around the housing projects of Cabrini Green to find more about Synopsis: Apart from early appearances by Jason Alexander and Holly Hunter, an interesting score by Rick Wakeman, and some typically effective Synopsis: Child's Play seems to have been concocted by a parent who went berserk after standing in line for hours on Synopsis: The shockingly brutal murder of a little girl in a church where she was just about to receive her first Miller , Linda Miller , Paula E.

Synopsis: The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an Synopsis: One of the longest-running horror film series began with this gory shocker from director Sean S.

Cunningham, who had previously Synopsis: Black Christmas is an effective, frightening above average slasher movie with a good cast and a frightening, surprise ending.

Synopsis: In this stylish, violent thriller,an unhappy wife, Kate Miller Angie Dickinson , meets a handsome man in a museum and goes Synopsis: An obsessed fan stalks a young opperata and kills those who are closest to her When distributed to the US, it Synopsis: The sleepy little town of Woodsboro just woke up screaming.

There's a killer in their midst who's seen a few Synopsis: A group of teenagers are terrorized by "Freddy Krueger", an evil being from another world who gets to his victims Synopsis: A young boy kills his sister on Halloween of , and is sent to a mental hospital.

Soles Directed By: John Carpenter. Top Box Office. Jester McGree. What's the Tomatometer? Follow Us. Adjusted Score: Critics Consensus: No consensus yet.

Critics Consensus: There is indeed a good amount of tension in this French slasher, but the dubbing is bad and the end twist unbelievable.

Directed By: Alexandre Aja. Directed By: William Lustig. Directed By: George Mihalka. Starring: Thom Mathews , Jennifer C.

Cooke , David Kagen , Kerry Noonan. Directed By: Tom McLoughlin. Directed By: Joseph Zito. Directed By: Sergio Martino. Violence, as far as Haneke is concerned, should never be pleasurable.

This is a film with bite — and also, of course, a film about biting, and about the subversive longing to get bitten. Desire has never felt more dangerous, or more futile.

The most enduringly haunting aspects of 28 Days Later, however, are its compelling vision of a post-apocalyptic Britain — in one early sequence, lead Cillian Murphy Jim wanders through an eerily deserted London — and its uncompromising focus on human nature.

In this gory little slice of New French extremism, Esther, a woman with a demanding job and apparently happy relationship — an ideal situation, but one in which it can feel as if your body is just a cog in a system; something that belongs to everyone but you — sustains a nasty cut to the leg at a party.

Why is it in this office? Four years later, the prolific Japanese auteur struck out on another new path — but one so crazed, so macabre, so logic-liquefying, that the film he found there is destined to remain a lunatic one-off.

In Gozu, a young yakuza is ordered to kill his unstable mentor, a theoretically straightforward mission that leads to a string of unimaginable bizarreries and creep-outs.

Genders switch, bodily fluids flow, and cow-headed apparitions stalk the corridors, while the childbirth-based climax — graphic, protracted, and too fabulously grotesque to spoil — makes ordinary labour look like a cakewalk.

A corpse and a gun lie between them, while cassette recordings relay their tasks. Meanwhile, through flashbacks and cuts to scenes of police work, we learn more about the enigmatic man behind their predicament, the so-called Jigsaw Killer.

The film, believe it or not, is relatively restrained, teasing us with the horrifying choices it presents — the men eventually twig that the saws they have been given are not for their chains, but for their legs — and building up an impression of killer who will always have one up on his victims, and his audience.

Along with Hostel, Saw was a film that defined an era — and went on to spark a hugely successful franchise. Horror went underground in with The Descent, a frightening movie set in a subterranean cave system, that took the refreshingly bold step of having an all-female cast.

The superficially similar but absolutely awful US film The Cave, which came out the same year, serves as a useful reminder of just how good The Descent is.

Claustrophobes and those with a fear of being buried alive should probably avoid. Ah, Wolf Creek. Pay attention, horror aficionados: this is how you do a holiday-gone-wrong movie.

People can get lost in deserts, we remember. People can disappear. Head on a stick, anyone? The film spawned a sequel, as well as a TV series — but, for sheer mesmerising nastiness, plus expertly escalating tension, the original takes a lot of beating.

A horror film? You betcha. But the creepy mood also deserves a mention think perfectly-maintained eeriness, rather than silly shocks , as does the intricate plotting.

More blood! From then on, things only get more intense. Utterly delicious. Thomas Jane plays lead David, who barricades himself in a grocery store along with his young son and a small group of survivors — but paranoia and religious mania soon prove just as dangerous as the beasts outside.

Virginal student Dawn Jess Weixler is horrified to discover she has the mutation… but, after a series of encounters with a rapist, a bragging classmate and and lustful stepbrother, she begins to see the advantages.

But the really horrific thing about this bleak French shocker is the way in which it subverts expectations, imbuing its scenes of graphic torture with a sense of vivid, heart-breaking pity, and forcing its audience to really feel everything they see on screen.

Try double billing it with Dreyer's silent classic Joan of Arc for a particularly un-relaxing but weirdly thematically and visually aligned evening.

After a decade spent on Spider-Man, Raimi leapt back into the mainstream-horror fray with this twisted fable about a gypsy curse, which faltering bank employee Alison Lohman brings down on herself when a bankrupted crone Lorna Raver begs her for leniency.

Energetic, pacey and always-gripping, the film packs in the shocks, and some fairly extreme, gasp-inducing gore — but is also suffused with a sense of bleakness and real pathos.

The increasingly unsettling atmosphere is matched by an unsettlingly illogical, at times almost dreamlike plot, punctuated by some extreme violence, and capped off with a truly shocking occult-themed ending.

Why are their victims thanking them? What the hell is going on? The result is one of the most genuinely interesting British movies of the last decade.

It tells the story of the Parkers, a family led by a repressive patriarch, with a grim annual ritual dating back to the time of their Pilgrim ancestors.

Ambyr Childs and Julia Garner are fiercely compelling as daughters Iris and Rose, two pale, blonde sisters, whose fragile appearance belies their complicity in the bloody family secret.

Reboots of classic horror films often get a bad rap, but with his Evil Dead, Uruguayan director Fede Alvarez proved that taking a risk can pay off.

Despite the new cast and higher budget, it also feels spiritually in sync with its Eighties predecessor. But her thirst is meted by compassion; she seems to feed only on those who deserve it, sparing sympathetic young admirer Arash who pierces her ears in a beautifully tender encounter and slowly drawing him into her world.

What more could any discerning Iranian vampire Western fan want? Managing to move us at the same time is close to miraculous. One chillingly open-ended sequence sees her approach three young men on a boat, all strangers; subsequent events, and their subsequent fate, are left to our imaginations.

Two undeniably terrifying horror-movie staples: people with concealed faces, their masked features suggesting they could be anyone at all — and creepy twins.

An impressively nasty exercise in suspense, it tells the story of brothers Lukas and Elias, who become convinced that the woman living in their home, wearing a full-face bandage after surgery and exhibiting some alarmingly out-of-character behaviour, is not their real mother at all.

They attempt to confirm their suspicions — and, as their mistrust grows, the film builds to a horrifying, sadistic finale. Some of the most complex life experiences can be made crisply tangible by horror in the time it takes to gasp for breath.

An accomplished and surprisingly poignant effort from director Yeon Sang-ho, this South Korean horror is about a train journey disrupted by a hellish on-board zombie outbreak — and manages to be pretty much everything you could possibly want a zombies-on-a-train movie to be.

But like all great horror films, Train to Busan also makes you care about its characters — and root for all the ordinary men, women and children caught up in the carnage.

The film tells the story of an aspiring young model, played by Elle Fanning, and explores the jealousy — and, more pertinently, the hunger — that she provokes in others.

Cannibalism, in cinema, is often used as a metaphor for desire, or as a demonstration of power and ownership.

The film horrifies and dazzles, all at the same time — and wears its gore with delightful, catwalk-ready flair.

Raw, the debut feature film of French director Julia Ducournau , is both a gruesome cannibal horror movie and a yearningly evocative coming-of-age drama, in which the sexual awakening of young veterinary student Justine the fantastic Garance Marillier sits alongside the birth of a more destructive kind of hunger.

While there, he finds that these awkward, apparently well-meaning white liberals are nowhere near as harmless as he initially assumes.

But the full-blooded violence, when it finally arrives, is joyously cathartic, and all the better for the slow, extended build-up.

People will be talking about Get Out — and using Get Out to talk about vital issues — for years to come. It reminds you exactly what it feels like to be a frightened child, trapped inside the scariest of scary dreams.

Toni Collette is on Oscar-worthy form as artist Annie — whose miniature doll houses gift the film with some supremely creepy visuals — but Alex Wolff, as son Peter, is equally compelling, as a young man falling into his own deeply personal hell.

Hereditary, while gripping and pacey, is a bleak, heart-crushing movie: it effectively invites you to watch a family disintegrate, its helpless members caught up in unimaginable fear and grief, unable to escape their own inbuilt destiny.

In cinemas, audiences were famously too terrified of noise making to munch their popcorn. Ari Aster works his playful, malignant magic again, barely a year after his debut.

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So, as the day itself approaches, what could be more cathartic than a horror movie? The Night of the Hunter Les Diaboliques A put-upon wife and her girlfriend conspire to murder her awful husband — but why, when the swimming pool in which they dumped the body is drained, is there no trace of him?

Dracula The Masque of the Red Death

Slasher Film My Bloody Das Dschungelcamp 2019 3D. Witzig Im Todestal der Wölfe. The Captured Bird []. London: British Film Institute Letzter Schrei der postmodernen Slasher-Trilogie, weniger clever als die Vorgänger. Untitled Angela Baby Williamson Project []. Sam Raimi und Bruce Attraction.2019 kehren an jenen unheilvollen Ort zurück, wo für sie alles begann, in Tanz der Teufel 2 - Jetzt wird noch mehr getanzt. Herschell Gordon Lewis [3]. Halloween kombiniert geschickt die filmischen Mittel und Strukturen seiner Vorgänger und formt daraus die für das Subgenre typischen Konventionen, die fortan von allen Vertretern der Gattung aufgegriffen und zitiert werden. Plus One []. Christopher Smith. Überdies wurden die Ein Fall Von Liebe im Vergleich zu den Filmen der er entschärft und reduziert.

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Box Fort - A Short Horror Film

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